Rabbit Hill

Rabbit_Hill

Rabbit Hill by Robert Lawson

1944

Illustrated by Robert Lawson

New Folks coming. New Folks coming. This refrain is passed from animal to animal, from Little Georgie to his Father and Mother, to Pokey the Woodchuck, Willie Fieldmouse, the Mole, Phewie the Skunk. After a period of privation, the animals are excited that the Big House on Rabbit Hill will be occupied once again. They watch as the Man, the Lady, and their old Cat, Mr. Muldoon, take up residence, plant a lush vegetable garden, and generate a bounty of kitchen scraps. (“’You will find, Phewie,’ said Father with some heat, ‘that good breeding and good garbage go hand in hand.’”) The Man and Lady celebrate the first harvest with a feast for the animals, with the words “There is Enough For All”.

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The plot does not seem like much, but this book has staying power. Robert Lawson created, largely through humorous dialogue, a distinct assortment of animal characters, beginning with the oratorical Father, variously viewed as eloquent or insufferably verbose (“He always continued until something stopped him.”), who constantly harkens back to his Kentucky bluegrass roots. There is the highstrung Mother in a perennial nervous state, the cheerful and enthusiastic Little Georgie, the folksy and curmudgeonly Uncle Analdas whose speech is peppered with “dingblasted” and “gumdinged”, and the loyal, courageous Willie Fieldmouse whose role it is to discover that Mr. Muldoon is just a harmless puffball.

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Robert Lawson is the only creator of children’s books to have been awarded both the Newberry Award (for Rabbit Hill in 1945) and the Caldecott Medal (for They Were Strong and Good, a chronicle of his forebears, in 1941). His preferred medium was pen and ink, but for Rabbit Hill, he created soft-washed pencil drawings with his meticulous hand, quite different from the bold thick-lined caricatures of The Story of Ferdinand or Wee Gillis.

After graduating from art school, Lawson joined a group of artists and designers in the Camouflage Corps in France. The military value of concealing patterning and coloration took hold during WWI and a large group of artists (including such talents as Thomas Hart Benton, Grant Wood, and Arshile Gorky) were recruited to design and paint camouflage disguises for war equipment and installations. There were no mass produced camouflage uniforms at the time, and it is remarkable that all such clothes, usually reserved for snipers, were individually hand-painted.

When the war was over, Lawson married and settled in Westport, Connecticut. He and his artist wife committed to each designing one Christmas card a day until the mortgage was paid off. It took three years. Their home, Rabbit Hill, was the inspiration for the book.

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Aside: “The warm sun had loosened his muscles: the air was invigorating; Little Georgie’s leaps grew longer and longer. Never had he felt so young and strong. His legs were like coiled springs of steel that released themselves of their own accord. He was hardly conscious of any effort, only of his hind feet pounding the ground, and each time they hit, those wonderful springs released and shot him through the air. He sailed over fences and stone walls as though they were mole runs. Why, this was almost like flying!”

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