Black Beauty: The Autobiography of a Horse by Anna Sewell
Black Beauty chronicles the life of a horse in Victorian England, from birth to final home. Born into the world of the landed gentry, he works as a riding and carriage horse until a drunken coachman recklessly gallops him to a fall, thus irrevocably damaging his knees. In an inexorable downward spiral, he is sold from one owner to the next until he ends up as a London cab horse, whipped by a cruel driver who pushes him past the limits of endurance until he drops in his traces. By a fortuitous twist, he is sold to someone who perceives his good blood lines and he ends up not far from his ancestral home, cared for by a coachman who had looked after him when they were both young.
Written in 1887, Anna Sewell intended her book “to induce kindness, sympathy, and an understanding treatment of horses”. She wrote it as an instructional treatise for those who worked with horses, rather than a children’s book. After working on it for six years while a housebound invalid, she sold it to a publisher for 20 pounds and it had an initial run of 100 books. It has since sold over 50 million copies and has never been out of print, a run-away success that was wholly unanticipated. Sewell, unfortunately, never witnessed her success, since she died only a few months after publication. Her aims were certainly realized, however, since Black Beauty was instrumental in effecting improvements in the treatment of horses and in the abolition of the use of bearing reins, a cruel practice in vogue at the time which forced carriage horses to keep their heads high.
Black Beauty was written as a first-person (or rather first-horse) narrative and it is a tribute to Anna Sewell’s knowledge and sensitivity that she so realistically and empathetically captures both the pleasures and tribulations of a horse. Every reader can feel Black Beauty’s distress when the cold bit is forced into his mouth when he is broken in, or Ginger’s angry desperation at having her head pulled back tight by the bearing reins. It is this getting inside the experience of a horse that is the book’s real strength. And Anna Sewell’s earnest sermonizing (her Quaker background and anti-temperance activities are much in evidence) is interspersed with enough exciting adventures (the broken flooded bridge over which Black Beauty refuses to take his master, the fire in the stable, the midnight ride for the doctor, the lady on a runaway horse) to keep children enthralled.